Destination roundups

Best Photography Spots in Pakistan

A photographer's shortlist of the best photography spots in Pakistan, with the best light, season and lens for each, from Hunza to Deosai and Skardu.

By Explore Pakistan · Published 25 September 2026 · 5 min read

Amazing Hunza Valley and Hunza River, Pakistan
Photo: Obaid Ahmed · CC BY-SA 4.0 · Wikimedia Commons

The best photography spots in Pakistan reward timing more than luck: being at a known spot at the right hour matters more than finding a secret one. Rakaposhi and Passu look ordinary at midday and extraordinary at first light. Deosai needs a moonless night, not a sunny afternoon. This is a shortlist of locations worth building a shoot around, with the season, the light and the lens that suit each.

LocationBest lightBest seasonLens to carry
Rakaposhi View Point, HunzaEarly morningApril to OctoberWide angle
Passu Cones and Hunza valleySunriseApril to OctoberWide to standard zoom
Attabad LakeMidday for colourMay to SeptemberPolarising filter, standard zoom
Deosai Plains, night skyAfter dark, near a new moonJune to SeptemberFast wide angle, tripod
Lake Saif-ul-MalookDawn, still waterJune to SeptemberWide angle
Shandur Polo FestivalMidday actionUsually JulyTelephoto

Rakaposhi View Point, Hunza

Rakaposhi, at 7,788 metres, drops almost 6,000 metres from summit to base in one unbroken sweep, and the roadside viewpoint at Ghulmet on the Karakoram Highway frames the whole face. Morning light, before haze builds up through the day, gives the cleanest separation between the ridgelines. A wide-angle lens takes in the full drop from base to summit; a short walk away from the roadside stalls clears other travellers from the frame. See our Hunza photography spots guide for more locations in the same valley.

Passu Cones and the Hunza valley

The jagged Passu Cones, above the village of the same name in upper Hunza, catch the first sun of the day while the valley floor is still in shadow, which is when most photographers rate the light best. A standard zoom handles the cones themselves, and a wider lens works for the Passu suspension bridge and glacier in the same frame. April to October covers snow-free approach roads and, in April, apricot blossom lower in the valley for anyone wanting foreground colour.

Attabad Lake

Attabad's turquoise colour, the result of glacial mineral sediment, photographs best under strong midday sun, unlike most landscape subjects on this list. A polarising filter cuts the surface glare and deepens the blue. It formed after a January 2010 landslide dammed the Hunza river, and the water is at its most saturated from late spring into early autumn, before it turns duller in winter light.

Deosai Plains at night

At around 4,100 metres, Deosai is one of the most open, least light-polluted places accessible by road in Pakistan, and the Milky Way is frequently visible with the naked eye on a clear night. June to September is the practical season, since the plateau is closed by snow the rest of the year; plan around a new moon, since moonlight washes out faint stars faster than thin cloud does. A fast wide-angle lens and a sturdy tripod are essential, and temperatures drop close to freezing after dark even in summer, so dress for winter regardless of the month.

Lake Saif-ul-Malook

Malika Parbat, at 5,290 metres, rises directly above the lake and reflects in its surface on still mornings, before the wind that usually picks up later in the day breaks the water into ripples. Reach the lake by local jeep from Naran, arriving before sunrise if you want the calm water. A wide-angle lens takes in both the mountain and its reflection; June to September avoids the ice that covers the lake outside summer.

Shandur Polo Festival

The high-altitude polo festival at Shandur Pass, on the Chitral–Gilgit boundary at around 3,720 metres, is the one event on this list built for a telephoto lens rather than a landscape one, for the mounted action on the pitch. It is usually held in July, though the dates have shifted between years, so confirm the current year's schedule with the Khyber Pakhtunkhwa tourism authorities before planning a trip around it. Midday sun is unavoidable at a daytime match, so a lens hood and a fast shutter speed for the horses matter more than golden hour here.

Planning a photography trip around these spots

Rakaposhi, Passu and Attabad sit within a day of each other on the Karakoram Highway and combine easily into one Hunza-based trip. Deosai and Saif-ul-Malook are in different provinces and different seasons of access, so treat them as separate trips rather than one itinerary. Shandur is worth planning around only if the festival dates line up with your travel window; outside festival week it is a quiet, remote pass, not a set piece. Our Skardu destination guide has more on basing a Gilgit-Baltistan photography trip around Deosai and the lakes near Skardu.

Frequently asked questions

What is the best month for photography in northern Pakistan?

Late April to early June for blossom and clear light with lower haze, and September to October for autumn colour and quieter roads; July and August have the most reliable weather but also more travellers and more midday haze.

Do I need a permit to photograph at these locations?

No special photography permit is needed at Rakaposhi View Point, Passu, Attabad, Deosai or Saif-ul-Malook. Drone use has separate rules that apply across Pakistan, so check current drone regulations before flying one anywhere on this list.

Is a drone useful for these locations?

It can be, particularly at Attabad and Passu, but drone flights are restricted in parts of Gilgit-Baltistan and near sensitive infrastructure, so confirm current rules before you travel rather than assuming it is allowed.

What is the best time of day to photograph Rakaposhi?

Early morning, before haze builds through the day and while the light is still soft on the ridgelines above Ghulmet.

Can beginners get good photographs at these spots without special gear?

Yes, at all of them except night photography at Deosai, which genuinely needs a tripod and a fast lens; the daytime locations reward good light and timing more than expensive equipment.

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